Wood is important in whiskey, and that’s why with this new expression, Jameson is highlighting the power of wood by turning its Head Cooper, Ger Buckley, loose in the warehouse. The goal, “to showcase the diversity of barrels at our Midleton distillery and the profound influence that wood yields. With knowledge passed down through 5 generations of his family, Ger selects, repairs, and maintains our treasured casks.” The croze (rhymes with rose), by the way, is the tool used to make the groove where the head of the barrel is positioned in order to seal it.
For this release, Buckley has collected a variety of whiskies aged in virgin American oak, seasoned bourbon, and Iberian (Spanish) sherry barrels. There’s no age statement or any other production information, but that wood treatment is wild enough on its own.
This is a drier expression of Irish, one of the least fruit- and sweetness-forward that I’ve encountered in recent memory. The nose gives up just a little — hazelnuts, dried thyme, and barrel char. A touch of sherry after some air gets to it. On the palate, there’s more of that roasted nut character, scorching notes of toasted wood staves, and some emerging vanilla at last as the woodier notes begin to fade. The sweetness remains elusive, and even the finish is drying, with notes of red pepper and cloves, and more dried savory herbal notes that tend to linger for far too long.
Even though the wood program is, to say the least, unique with this whiskey, I was expecting at least lip-service to traditional Irish in The Cooper’s Croze. What I got was something entirely different. The character is more like a young American whiskey, malt-heavy, with a heavy, heavy kick of new oak, rather unlike anything from the Emerald Isle. That wild departure may be a good thing, depending on your point of view, but for me, the heavy influence of barrel char was a real turnoff, and my suspicion is that the rest of you out there will have a similar experience.