Category Archives: Wine

Review: 2012 Boneshaker Zinfandel Lodi

boneshakerBig Zin fans rejoice: Boneshaker easily lives up to its name. This punchy, Lodi-grown Zinfandel (produced by Hahn Family Wines) is thorny with notes of dark chocolate, coffee beans, and a melange of stewed prunes and raisins. And that, basically, is it. With a lasting and rustic, slightly dirty finish, it’s a BBQ-friendly wine that sticks to the ribs. And, at 15% alcohol by volume, the wine’s tagline — “Feel it.” — is one to take to heart.

B /$20 / hahnfamilywines.com

Review: Frescobaldi 2010 Nipozzano and 2011 Nipozzano Vecchie Viti

NipozzanoVecchiViti2011Two new releases from  Marchesi de’Frescobaldi, the royal family of Tuscany — the standard bottling of Nipozzano (named after the 1000-year-old family estate) and a new release of Vecchie Viti, a bottling rarely seen on U.S. shores. Thoughts follow.

2010 Frescobaldi Nipozzano Riserva Chianti Rufina – A textbook example of what Chianti should be, bright with that signature cherry of sangiovese, but complicated by notes of tea leaf, cocoa powder, and a mushroomy earthiness on the finish. The denouement is dour and brooding, not big and fruity — or highly acidic — like so much Chianti can be. A big winner at mealtime, less of a solo sipper. A- / $16

2011 Frescobaldi Nipozzano Riserva Vecchie Viti Chianti Rufina – This “old vines” release of Nipozzano is a more fruit-forward, slightly jammier expression of Chianti. Aged 24 months in barrel, it exhibits notes of fresh cherries, strawberry, and fresh mixed berry jelly. A bit on the sweet side for my tastes — compared to the more herbal, earthy notes I like to see in a Chianti, but still a fun wine that’s worth exploring. B+ / $30

frescobaldi.it

Review: 2012 Collazzi Liberta Toscana IGT

LIBERTA-2012 fotoThis Tuscan mutt is 55% merlot, 30% syrah, and 15% sangiovese. It’s also awfully damn good for a sub-$20 wine. Earth hits the nose first, with notes of dried mint, violets, and cedar chest coming along in short order. On the palate, the merlot is right up front, offering those characteristic floral notes, slightly sweetened by the fruity, cherry character in the syrah and the sangiovese. The finish offers notes of chocolate, mint, amari, and a dusting of cloves. Any restaurant looking for an amazing wine-by-the-glass should add this to their list pronto.

A / $17 / collazzi.it

Review: 2013 Achaval Ferrer Malbec and Cabernet Sauvignon

achaval ferrer CMendoza-20132013 releases from Achaval Ferrer, based in Mendoza, are here. We tasted the Malbec and the Cab from this major Argentinian producer.

2013 Achaval Ferrer Malbec Mendoza – Overpowering, and not in a good way. Intense notes of menthol cigarette smoke, backed by a heavily balsamic vinegar character. Mouth-puckering with heavy acidity and a vegetal underpinning, this is not Malbec at its finest. D+ / $19

2013 Achaval Ferrer Cabernet Sauvignon Mendoza – Starts off dusty and tannic, but with time it opens up to reveal a surprisingly capable, if simple, expression of Cabernet. Light plum on the nose leads to a dense, leathery, raspberry/blackberry-driven body. Lightly vinegary on the finish, but this works well enough, particularly with food. (I even had a good experience with it alongside grilled salmon.) B / $20

achaval-ferrer.com

Tasting the Wines of Chateau du Moulin-a-Vent

An icon of the Beaujolais, Moulin-a-Vent’s estate began producing wines as early as the 1700s. Today the estate has 30 hectares of land under vine, separated into 91 different plots — many of which are used to make single-plot releases showcasing a specific terroir. Ownership changed with the 2009 vintage — and some of these wines are just now hitting the market.

Beaujolais is of course the home of Gamay (red wines) and Chardonnay (whites, which are comparatively rare). Moulin-a-Vent only grows Gamay. Its Pouilly-Fuisse is made with non-estate fruit.

We recently looked at eight different wines from this famed chateau, in three different categories:

First are the CMV wines, which feature a much different art deco-style label and are made from non-estate fruit.

CMV Couvent Des Thorins Brand2012 CMV Moulin-a-Vent Pouilly-Fuisse Vielle Vignes - A rather vegetal white wine, it shows lemony notes at first before delving into a rather intense green vegetable note that builds on the finish. This eases up a bit with some warmth, but the slightly bitter character is sustained for quite awhile. B / $15

2012 CMV Moulin-a-Vent Couvent des Thorins – Classically Old World on the nose, with lots of vinegary acid, rhubarb, and licorice root notes. The body is equally heavy on the acid, brash and mouth-searing with its simplistic cherry-like construction and fiery finish. C- / $15

Up next, these are blends from all many of Chateau du Moulin-a-Vent’s plots. They comprise the most common expressions from the chateau. Here’s a look at a vertical of three recent vintages of the wine.

2011 Chateau du Moulin-a-Vent – Engaging nose, with gentle fruit, some smoke, some mint. The body is ripe without being overly fruity or lush, a gentler expression of gamay with a core of simple plums, touches of vanilla, and notes of pumpkin spice on the back end. Easy to enjoy. B+ / $20

2010 Chateau du Moulin-a-Vent – More earth here, particularly on the dusty, mushroomy nose. The body offers balance between the savory earth elements and fruit, presenting a significantly different profile than the fruitier 2011. Fans of bigger, more wintry, and more food-appropriate wines will probably prefer this style. B+ / $20

2009 Chateau du Moulin-a-Vent – Well past its prime. Again, showing lots of oxidation and acidity like the Thorins reviewed above, with a somewhat skunky, burnt nose and a body that attacks the tongue with vinegar notes. This was an exemplary vintage in Beaujolais, so it appears time has really had its way with this wine. C- / $20

Finally come the terroir-driven, plot-specific releases from Chateau du Moulin-a-Vent. Each is released with its specific plot noted on the label.

2009 Chateau du Moulin-a-Vent Clos de Londres - It fares better than the standard 2009 bottling above, but not by much. Again, it’s well past its prime, showing strong vinegar chateau du moulin-a-vent 11 Croix des Verillats Bottlenotes, but offering pleasant enough cranberry, raspberry, and blackberry character after the intense acid starts to fade. C+ / $NA

2011 Chateau du Moulin-a-Vent Champ de Cour – Ample earth and licorice notes, backed by restrained, austere fruit — raspberries and blackberries. The finish features tobacco notes, blackberry jam, and a return to some of that woody, earthy funk. An interesting wine with shades of the 2010 standard bottling. B+ / $34

2011 Chateau du Moulin-a-Vent Croix des Verillats – Notes of ripe cheese on the nose start things off in a weird way, but the highly fruity, almost jelly-like body, pairs with it in an unexpected way. This is an austere wine that drinks like an older expression of Moulin-a-Vent, but offers a worthwhile complexity and depth to it. B+ / $32

chateaudumoulinavent.com

Review: 2012 Pinot Noirs from Domaine Carneros

DC_LA_TERRE_PROMISE_PN_NVThree new Pinots from Domaine Carneros, all part of the 2012 vintage, including two single-clone varietals, a rare feat in the Pinotverse.

2012 Domaine Carneros Pinot Noir Clonal Series Swan – Each year Domaine Carneros spotlights one of the 12 different Pinot Noir clones grown here by bottling it separately. The 2012 vintage is the first year to feature the Swan clone. It’s textbook Pinot at first, but eventually reveals itself to be a bit on the sweet side, with notes that veer more toward chocolate sauce and raisin notes up front, with a tart, mouth-puckering finish that hints at tobacco leaf. As a big Pinot fan I could drink this any day, but the lushness of the body becomes a bit overwhelming by the end of the second glass. B+ / $55

2012 Domaine Carneros Pinot Noir Clonal Series Dijon 115 - Another wine from the Clonal Series, Dijon 115 is a better-known clone and it’s easy to see why it’s so popular, offering a dense cherry core that’s studded with notes of cola, tea leaf, and chocolate. The finish heads floral, recalling violets and a touch of spice. Pretty but also lush, this wine could easily be released as is, no blend required. A / $55

2012 Domaine Carneros Pinot Noir La Terre Promise – This is a single-vineyard estate wine from Domaine Carneros, created from a blend of Pinot clones. Here the whole is less than the sum of the parts. The wine is deep and rich, with chocolate notes, but it’s lacking the lively fruit that great Pinot has, replacing it with Port-like currant notes. There’s a touch of vegetal-driven bitterness here, too, particularly on the finish. My wife said she never would have guessed this was Pinot if she’d tasted it blind, and it’s easy to see why. The density and sweetness of the wine make it come across closer to a Zin-Cab hybrid, not the elegant type of wine I typically associate with Domaine Carneros. B+ / $55

domainecarneros.com

Review: 2013 Galerie Naissance and Equitem Sauvignon Blancs

galerie Naissance+Equitem Beauty ShotInspired by her upbringing in Spain (and particularly its cuisine), winemaker Laura Diaz Munoz brings the racy stylings of the Spanish table to the Northern California wine scene. Two new Sauvignon Blancs have just arrived from this Oakville-based operation. Thoughts follow.

2013 Galerie Naissance Sauvignon Blanc Napa Valley – No “re” in this “naissance,” I guess. What’s left is a a wine that’s somewhat chalky on the palate, with notes of green apple, honeysuckle, and sour lime zest. A crisp, summery wine, it’s got plenty of pucker with that telltale Sauvignon Blanc pepe du chat. B / $30

2013 Galerie Equitem Sauvignon Blanc Knights Valley – A sweeter expression of Sauvignon Blanc, with notes approaching figs, lemon-lime soda, and sweetened grapefruit. More body, with a chewier, more substantial palate. A- / $30

galeriewines.com

Review: 2013 Bodvar of Sweden No. 5 Rose Cotes de Provence

sweden wineRest easy: Sweden isn’t producing wine (or at least, it isn’t exporting any to our soils). This is a French Cotes de Provence created by a new, boutique wine company from our friends to the northeast: Bodvár of Sweden – House of Rosés.

The brainchild of Bodvar Hafström, the Bodvar brand includes sales of cigars, brandy, and now wine. No. 5 (no word on what happened to Nos. 1 through 4) is a rose of Grenache and Cinsault that hails from Saint-Tropez in the Provence region. Somewhat atypical of the typical wines from this region, it offers a nose ripe with mixed fruit, but it also has a sharpness to it, a strong tang — both touched with citrus juice and grated peel. The body is both lush with notes of peaches and apricots, with a dusting of dried herbs on the finish. This herbal quality grows as the wine develops and warms. I’m not entirely sure how I feel about it, as it robs some of the sweetness from an otherwise well-made wine, but at least it has me thinking.

B / $24 / bodvarofsweden.com

Review: Cloudy Bay 2011 Te Wahi Pinot Noir and 2012 Sauvignon Blanc

Te wahi 2011 (Native) [MHISWF041779 Revision-1]New Zealand’s most notable winery is back with new vintages — including a major departure for the brand with its new Pinot. Let’s not let my intro get in the way. Here are thoughts on two new releases from Cloudy Bay.

2011 Cloudy Bay Te Wahi Pinot Noir Central Otago – This is Cloudy Bay’s first wine not sourced from the Marlborough region and its first new product in 18 years. A gorgeous Pinot, it drinks more like a California wine than a jammy New Zealand wine. Notes of tea leaf, cinnamon, and ginger mingle with a cherry/blueberry core just perfectly. The wine is best with a touch of chill on it; too warm it starts to feel a bit watery. That said, on the whole it comes together beautifully. A / $75

2012 Cloudy Bay Sauvignon Blanc Marlborough – Classic New Zealand Sauvignon Blanc, offering tropical notes, some brown sugar, and a lemon-fueled finish. Herbal notes emerge on the big, juice palate as the wine warms a bit, revealing more balance and a somewhat sour citrus finish. A- / $36

cloudybay.co.nz

Review: 2013 Charles & Charles Chardonnay Washington State

Charles Chard bottle 003Rather watery, this Columbia Valley-sourced wine offers vague apple notes and a modest slug of wood that punches a bit of vanilla into what is an otherwise workmanlike wine. Touches of lemon and nougat add a bit of curiosity as the wine develops in the glass, but the bitter edges on the finish reveal some character flaws that are ultimately tough to love.

C+ / $10 / charlessmithwines.com