Another Provence-sourced rose, in quite a distinctive bottle.
There’s not a lot to write home about with this bottling, which muddies its floral aromas with notes of canned vegetables and chlorine. The palate is thin, almost watery at times, offering very mild strawberry notes alongside some notes of perfumed orange blossoms. Again though, the finish is weak and short, though ultimately quite harmless.
Aka Vie Vite.
B- / $17 / vievite.com
2015’s pinot gris from Hahn has arrived. It’s a fresh and lively but straightforward white, with notes of mango backed up by a core of apples and pears. A touch of sweet baking spice adds complexity but keeps things from falling into the overly sweet side of the fence — despite a few marshmallow notes on the finish.
B+ / $14 / hahnwines.com
AIX — aka Saint Aix — is a Provence rose, likely a busy blend of grapes (though no specific grape varietals are stated).
As you’d expect, the wine exudes light strawberry, with notes of peaches that fade quickly to a moderately acidic body and a fresh, breezy finish that evokes light floral notes alongside tropical elements. Exceptionally light on the tongue, it’s one of the most easygoing roses of the season.
B+ / $16 / aixrose.com
You will not stop Francis Ford Coppola from pumping out wines. The man directed The Godfather, for Pete’s sake. Four new wines — all from the 2014 vintage — are on tap for review in mid-2016. Let’s dig in..
2014 Francis Ford Coppola Director’s Chardonnay Sonoma County – Oak and butter, nothing surprising here, but some notes of green figs and banana give this otherwise straightforward bottling at least a little something to hang on to. The finish ends up a bit on the sweet side, however. B- / $15
2014 Francis Ford Coppola Director’s Cut Chardonnay Russian River Valley – A higher-end bottling and a much different wine than the above — quite dry and herbal, with notes of melon complementing a more gentle pear character on the palate. The lengthy finish offers up some of chardonnay’s characteristic buttery sweetness, but keeps things restrained and balanced. B+ / $20
2014 Francis Ford Coppola Director’s Pinot Noir Sonoma Coast – Surprisingly lovely, this coastal pinot offers both bright fruit and more sultry notes of licorice, wet earth, and mushroom to add complexity and balance. The finish remains heavily acidic, with tart cherry notes pushing through everything. A great value bottling. A- / $20
2014 Francis Ford Coppola Director’s Cut Pinot Noir Russian River Valley – A very gentle pinot, uncharacteristic of the Russian River, with notes of restrained cherry, licorice, and root beer. The very light body supports these notes, layering in some strawberry character, leading it to a quiet and uncomplicated finish. An easy crowd-pleaser with just enough complexity to make it worth talking about. A- / $24
New wines from Landmark — not just the chardonnay we frequently see, but also the winery’s pinot noir. Thoughts on both expressions follow.
2014 Landmark Vineyards Overlook Chardonnay Sonoma County – Robust on the nose, with an initial body that offers notes of melon and citrus. Notes of buttered popcorn emerge on what fades into a somewhat thin and green finish, its moderately heavy oak treatment unable to rescue things as it fades out. B- / $25
2014 Landmark Vineyards Overlook Pinot Noir – 53% Sonoma, 39% Mendocino, 8% San Benito County. Significant crystallized deposits in this bottle. A little vanilla breaks up the relatively dense mix of cherry, currant, and fig fruitiness before giving way to a lightly sour-bitter finish. Relatively heavy for Landmark, but not unpleasantly so. B+ / $20
Like Cameron Hughes before it, Noble Vines eschews fun names in favor of a simple three-digit number to identify its various bottlings. (Unlike Hughes, however, Noble Vines’ numbers indicate rootstock, vineyard blocks, or both.)
Sourcing grapes largely from two vineyards, one in Lodi, one in Monterey, the company currently produces six low-cost wines. We review three below. Thoughts follow.
2014 Noble Vines 242 Sauvignon Blanc San Bernabe Monterey California – A bit odd for a sauvignon blanc, with clear notes of brown sugar and cinnamon. The finish dials back the sweetness and offers a squeeze of lemon, but lacks the acidity you want in a great sauvignon blanc. B- / $9
2014 Noble Vines 446 Chardonnay San Bernabe Monterey California – Oaked to within an inch of its life, this ultra-buttery Chardonnay almost feels retro in an era when wines are embracing acid over this kind of wood treatment. The end result is flabby, with notes of melon to offset the heavy vanilla and raw oak character. C / $9
2013 Noble Vines 667 Pinot Noir Monterey California – Another flabby experience, the fruit here overshadowed by notes of marshmallow and vanilla ice cream. A sort of brambly blueberry note emerges in the finish, but the heavy sweetness endures. B- / $11
These affordable Rioja wines actually include the grape breakdown on the labels, a rarity for Spanish wines. Naturally, both expressions are mostly tempranillo, with some other native grapes added for kick. While I did not try pairing them with seafood, Beronia is suggesting they would pair well thusly. If you try them with the other, other, other white meat, please let us know how the pairing turns out!
2011 Beronia Rioja Crianza – 90% tempranillo, 8% garnacha, 2% mazuelo. A somewhat dusty wine, but pleasant and rounded with currants, brambly berries, tobacco leaf, and licorice notes, all in reasonable balance. The fruity finish comes off a bit young, and slightly immature. B / $16
2010 Beronia Rioja Reserva – 94% tempranillo, 4% graciano, 2% mazuelo. The wine starts off a touch thin but it reveals more of its charms after a moment, taking dense fruit notes and layering on notes of tobacco, leather, and a touch of coffee bean. Nicely balanced between fruit and more savory notes, its long finish adds a lightly herbal and balsamic element to the mix. A- / $21