Review: Don Pancho Origenes Rum 8 Years Old, 18 Years Old, and 30 Years Old


First off, Don Pancho is a real dude. He’s Cuban, his real name is Francisco Fernandez, and he’s been in the rum business for 50 years, only he has been making it for other people. Don Pancho is the first brand he’s ever made for himself, so it better be good, huh? Produced in Panama, the rum is crafted by blending barrels of Fernandez’s own stock, with the top expression bearing a whopping 30 year old age statement on it — which is almost unheard of for rum.

We tried all three of the launch expressions from Don Pancho, which are being imported into the U.S. by Terlato. All are 80 proof. Thoughts follow.

Don Pancho Origines Rum 8 Years Old – Bold and pushy, this is a funky, vegetally-driven rum that starts off with notes of root beer, dried figs, leather, and sea salt on the nose. The body punches this up with licorice and cloves before releasing the sweetness — dense molasses, brown sugar, vanilla, and toffee, with a cola-driven bite on the back end. This yin-yang between the funk and the sweet release grows on you, making it a solid sipper and a character-filled mixer. A- / $40

Don Pancho Origines Rum 18 Years Old – No stopover at 12 or 15 years like regular distillers would do. Don Pancho jumps straight to 18 years old for its “mid-level” expression. The nose is similar to the 8 year old. The aromas of sea salt are hard to miss amidst all the dense, dried fruit and leathery character. On the tongue, such sweet nirvana. Here the denser, earthier character is very short-lived, and the fruitier elements take hold much more quickly. Cola comes in earlier, along with more dried and fresh fruits — raisins and figs — before seguing into notes of butterscotch, vanilla, and chocolate syrup. The finish is a bit winey, almost Port-like with a rum raisin character that lingers in the throat. I find this back end overstays its welcome just a tad. Overall, stellar stuff, though. A- / $90

Don Pancho Origenes Rare Rum 30 Years Old – Thirty years, whoa. It’s hard to believe that rum can mature effectively this far out, but Don Pancho knows his stuff. This is rum nirvana as near as I can tell. The nose tempers some of the hogo character of the “younger” Don Pancho expressions, offering a purer brown sugar and molasses character flecked with cinnamon and cloves. The body is drinking just perfectly, almost Christmassy with notes of toffee and vanilla layered over ginger cake and sugar cookies. There’s just a touch of that coffee and root beer character on the finish, which adds a layer of nuance to a rum that already smacks of perfection even without that little afterthought. Gorgeous. A+ / $425

Tasting the Brunellos of Col d’Orcia with Count Francesco Marone Cinzano


I don’t know about you, but it’s not every day I get to have lunch with an honest to god Count. Frenceso Marone Cinzano runs the show at Col d’Orcia, where he has produced Brunello di Montalcino (amongst a number of other wines) since 1992. (His family has owned the estate since 1973.)

Cinzano visited San Francisco for a classically Italian lunch recently and he brought along a number of his wines, all made with estate fruit, dating back to 2001. Thoughts follow.

2012 Col d’Orcia Rosso di Montalcino DOC – Very herbal on the nose, fresh cherries and some balsamic notes. Dense tannins emerge with woody notes. Rosemary and some bitter edges hit the finish. B / $25

2010 Col d’Orcia Brunello di Montalcino DOCG – Just released. This is much more lush and fruity, with a light body and a nice structure. Some black pepper notes amidst all the red berries. A- / $55

0222006 Col d’Orcia Brunello di Montalcino Riserva “Poggio al Vento” DOCG – Densely earthy with cassis and bay leaf notes. Long finish provides florals and rocky, earthy elements. Slight muddiness in the body with time in glass. A- / $150

2004 Col d’Orcia Brunello di Montalcino Riserva “Poggio al Vento” DOCG – Sweeter and fruitier on the nose, with some tropical and even coconut notes showing. Tart raspberry character is matched by smoky, leathery notes on the finish. A- / $150

2001 Col d’Orcia Brunello di Montalcino Riserva “Poggio al Vento” DOCG – An exceptional wine. Perfect balance of fruit and earth, with dense cassis and blueberry really enveloping the wine. The finish is epic, with light herbs, blackberries, and no end in sight to the opulence. Fantastic from start to finish. A+ / $160

2010 Col d’Orcia “Nearco” Sant’Antimo DOC – A blend of 50% merlot, 30% cabernet sauvignon, 15% syrah, and 5% petit verdot. Lots of density here, with chocolate, licorice, and a woody finish. B+ / $45

2009 Col d’Orcia “Olmaia” Sant’Antimo DOC – 100% cabernet sauvignon. Fresh herbs — sage and thyme — with lots of dark fruit notes. Currants and vanilla galore nudge this toward a California style. A- / $77


Tasting the Wines of Gerard Bertrand, 2015 Releases


Gerard Bertrand is a producer in the Roussillon region of France… just next door to the Languedoc, nestled between the Pyrennes mountains (and Spain) and the Mediterranean Sea. But Gerard Bertrand is also a man, an imposing Frenchman who was eye to eye with me at a solid 6’4″ and with the uncanny resemblance of Vincent Cassel. But rather than screaming at ballerinas to “Attack it!” Bertrand makes a number of highly regarded wines (dozens of them) in his mountain commune. He’s also written a book about it: Wine, Moon and Stars, where he talks about biodynamics and a life in winemaking in the south of France. We recently had lunch in San Francisco to talk about the book and taste his wines, both new and (very) old. Thoughts on Betrand’s latest wines follow.

NV Gerard Bertrand Code Rouge Cremant de Limoux AOP – A stellar sparkler that is not rouge at all but rather blanc, very fresh, lively, and bright, with notes of apples, some pears, and toffee. A- / $27

2012 Gerard Bertrand Cigalus Blanc Aude Hauterive IGP – A blend of chardonnay/viognier/sauvignon blanc. Bold and gold in color, it offers honey and mint notes with some almost bready notes on the palate. Food friendly, with an herbal kick and some notes of furniture polish on the nose. B / $36

2014 Gerard Bertrand Chateau La Sauvageonne GMVV Rose Coteaux du Languedoc AOP – Grenache/mourvedre/viognier/vermentino. An interesting rose, with a mild nose and notes of grapefruit, lime zest, and candied flower petals. Some herbal character emerges alongside the slightly chalky finish. B+ / $20

2012 Gerard Bertrand Clos d’Ora Minervois La Liviniere AOP – A new release. A Rhone-ish blend of syrah, grenache, mourvedre, and carignan. A wine designed to “deliver a mission of peace, love, and harmony.” That’s effective, given this wine’s lovely nose of violets and caramel, and youthful body that exhibits floral notes, and some coconut and chocolate in the finish. Mineral notes perk up with air, too. A- / $NA

0121951 Gerard Bertrand Legend Vintage Banyuls Rivesaltes AOP – Gorgeous old Banyuls, dessert wine made of 100% grenache. Lovely port notes have mellowed into a glorious blend of raisin and fig, chocolate and nuts in perfect harmony. At once gentle, elegent, and rich with dense dessert flavors. A knockout. A+ / $165

I also brought some wines home for tasting later…

2014 Gerard Bertrand Cote des Roses – A grenache/cinsault/syrah rose blend. Very fresh and, indeed, floral, with notes of strawberries, peaches, rose petals, and a significant tropical influence. Significant acidity keeps things lively on the palate, but also fruit forward. Brisk and fragrant, quite summery. Note the bottle, the base of which is cast into the impression of a full rose flower. Cute. B+ / $15

2014 Gerard Bertrand Gris Blanc – A rose blend of grenache gris and grenache noir, a very pale, light-bodied wine with overtones of fresh herbs, white flowers, and light tropical elements. Very fresh and fragrant, it’s a classic summer rose through and through. B+ / $16

2011 Gerard Bertrand Grand Terroir Tautavel – A blend of grenache/syrah/carignan. Herbal, with overtones of roasted meats on the nose, with touches of licorice and raspberry jam. The body gets going with restrained fruit and some fresh thyme and rosemary, but the fruit becomes more prominent as it gets some air. Ultimately it’s quite lively, with touches of vanilla and coconut, more of that thyme, and a slightly smoky, leathery back end. Let this one breathe a bit and its depth will surprise you. A- / $15

Tasting 2015 Bruichladdich Releases with Distiller Jim McEwan


Since Bruichladdich was reopened in 2001, just one man has been running the stills: Jim McEwan. A veteran from Bowmore (where he began working as a cooper at age 15), McEwan has overseen some 300 different bottlings of Bruichladdich during its wild first decade (and change) of production. When Remy Cointreau famously bought Bruichladdich in 2012, the distillery’s notoriously scattershot inventory was reined in, with the company focusing on a more targeted and more closely curated range of expressions.

I sat down with McEwan in San Francisco to taste through eight current and upcoming releases, and one thing was made clear. You might be able to tame the number of SKUs that Bruichladdich is churning out, but you’ll never get rid of the distiller’s sense of adventure and experimentation. Case in point: His next trick involves 100 tons of barley given to farms in eight regions within Scotland, which has now been turned into whiskey and is aging in identical barrels on Islay. The results, when these spirits are matured and released in 2018, will demonstrate exactly how terroir impacts malt whiskey.

Until then, here are some brief thoughts on a guided (but unfortunately short) tour through eight of Bruichladdich’s finest current-release spirits follow.

The Botanist Gin – McEwan’s baby. A traditional, classic dry gin with a twist. Distilled from neutral alcohol and studded with 22 botanicals. Still a gorgeous, supple spirit. Recently repackaged. A [BUY IT NOW FROM CASKERS]

Bruichladdich Scottish Barley The Classic Laddie – This is a 7 year old version of the beloved Laddie Ten (which you’ll see again in, well, 3 years). Made from barley grown all over Scotland. 25% aged in sherry casks. Rich and honeyed, with a significant sherry influence. Big mouthfeel, big bite on the finish. A-

Bruichladdich Islay Barley 2007 – Made exclusively from Islay-grown barley, the first such barley grown on the island since World War I. Not peated, but it offers salt and maritime notes, a lot of malt character, and a touch of iodine. A great dram. A

Bruichladdich Black Art 1990 4.1 23 Years Old – McEwan is a bit smug about Black Art, which is a well-aged whisky made from mysterious sources — involving a huge variety of barrel types of which McEwan will say nothing. It’s intended to “intrigue the consumer” and is a bottling McEwan says was made as “a protest” to the bullshit stories that distilleries are so fond of peppering their back labels with. Black Art hasn’t always been a favorite of mine, but 4.1 is drinking with a better balance, with nice chewiness and plenty of wine barrel influence to it. B+

Bruichladdich Port Charlotte Scottish Barley – The first of two PC releases tasted today, this peaty dram sees some wine cask aging, which gives it so much fruit it almost goes toe to toe with the peat. Same deal as above; this is made from Scotland-only barley, from all over the country. B+

Bruichladdich Port Charlotte Islay Barley – Made only from the Islay barley mentioned above. This is a brand new release that also sees some wine casks for aging. It’s a searing whisky with lots of peat and seaweed in the mix. Nice balance. B+

Bruichladdich Octomore 6.1 – Classic Octomore, ultrapeated to 157ppm, which gives it a dense smokiness and a barbecue-like sweetness out back. I’ve grown used to Octomore, but compared to 6.3 (see below) it’s a bit of a bore… 14 proof. B+

Bruichladdich Octomore 6.3 – In the nomenclature of Bruichladdich, .1 bottlings are global releases, .2 are for travel retail, and .3 denotes whisky made from Islay barley. This is the first .3 Octomore, and it’s easily the best rendition of this spirit ever. Peated to an absurd 245ppm — the most heavily peated whisky ever released by a mile — this 5 year old spirit (bottled in a frosted bottle instead of the usual black) is remarkably gentle on its own despite bottling at 128 proof. Some floral elements emerge along with vanilla, and it isn’t until you add a substantial amount of water that the peat really starts to kick up. Even then, it’s well integrated, balanced, and just lovely to sip on. Available April 2015 for about $225 (good luck). A+  [BUY IT NOW FROM CASKERS]

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Review: The Macallan Masters of Photography: Mario Testino Edition

macallan testino edition

The Macallan isn’t exactly known for doing things half-assed and on the cheap. The distillery is known for megabucks, megaold bottlings of some of the most renowned whiskies in Scotland. One of its pet projects is called Masters of Photography, in which it partners with a series of megafamous photographers and releases a limited-edition, one-off, megaexpensive whisky with each of them. Prior shutterbug partners have included Annie Leibovitz and Albert Rankin.

This is Edition #5, a partnership with Mario Testino, who’s probably best known for this picture of Princess Diana (and perhaps, now, Miley Cyrus). Testino is from Peru, so I figure he knows diddlysquat about Scotch whisky, but that’s no matter. The Macallan’s whisky pros have done the hard work for him: Selecting six casks from the archives to be bottled as the Mario Testino Edition.

There’s a big cover story here about Macallan’s “six pillars” of whiskymaking, and how the six casks chosen for this release represent each of those pillars, but I wouldn’t let any of that distract you too much. This is an amazing spirit — easily the best Macallan I’ve ever tasted, though it strays considerably from the sweeter, more syrupy house style.

There’s no age statement on this, but the deep color and powerful nose indicate this is a spirit with considerable age. While it’s drawn from a variety of styles of sherry casks, the nose pushes past the citrus to reach into a world of leather, cloves, and toasted almonds — just a bit of the essence of that glorious, well-aged sherry character. The nose is so delightful it’s hard to pull your head out of the glass.

That’d be a big mistake, because Macallan’s Mario Testino Edition is even better on the palate. Chewy raisin and fig, chocolate pudding, fresh gingerbread, and loads of baking spices get things going, as the sweet-but-spicy body builds. Here the more raisin-laden notes battle with gentle wood, some walnut, and touches of exotic incense. It just goes and goes, bursting with intensity and popping in the mouth. The finish is long, lasting, and seductive, the ultimate expression of a whisky that was plucked from the cask at just the right moment and released into the world at last… and soon, alas, never to be seen again.

But wait, there’s more! Per the distillery:

This limited edition whisky – only 1,000 have been created – is presented, along with one of the four iconic shots captured by Mario, in a beautiful, glossy black case, designed in collaboration with Mario himself.  The pièce de résistance is a secret compartment, released by pressing a button hidden under the bottle.  It contains six miniatures from the six single casks that make up the limited edition whisky.  Never before has a whisky maker released the individual casks that make up his craft.

Hell, I’d drink it even without the minis and the fancy picture.

92 proof.

A+ / $3500 /

Book Review: Whisk(e)y Distilled: A Populist Guide to the Water of Life

Heathe GreeneThe first time I heard the Ramones, I was barely into my teens, and was immediately captivated by their simple, straightforward sound and mutant lyrics. It was punk, and something anyone could do if they knew three guitar chords, a basic beat and cultivated enough attitude. The group’s first four albums would lead me down a tunnel into the wild and wonderful world of punk rock that would become a staple of my teenage years. It was immediate, accessible and led to spending hours in my bedroom learning chords and playing along to dubbed cassettes of endless songs on a half busted Sony Walkman.

My point is that everyone has to start somewhere, and Heather Greene’s Whiskey Distilled is the perfect first book for newcomers to acquire. Quite simply: In the last two years of reading and reviewing books about spirits, I do believe this is might be the most accessible and informative introductory guide I’ve come across.

Versatile enough to welcome everyone with easy to follow language and great anecdotes, Greene leaves no stone unturned in covering the basics. But she also takes the reader through advanced concepts such as chemistry and flavor profiles, distinctions between the various whiskies of the world, necessary hardware for cocktail construction, suggested food pairings, and so much more. She takes time to explain, rather than assume or boast about drinking the rarest whiskies in the world, and her writing style brings a warmth and inclusion often missing from books similar in scope.

This is an outstanding, essential guide for anyone getting his or her feet wet on the big whiskey wave, and is worthy of space on anyone’s bookshelf. Plus on top of all of this? Greene gets kudos from actor/woodsmith/sage Nick Offerman on the jacket sleeve. And if it’s good enough for Ron Swanson, it’s good enough for you.

A+ / $19 / [BUY IT HERE]

Tasting the 2012 Vintage Cabernets of Hourglass Vineyard

Deja vu? No. We just wrapped a tasting session with Hourglass a few months ago. Now proprietor Jeff Smith is back with the full lineup of his winery’s 2012 vintage Cabernets, including its two cult-status estate bottlings, Blueline Estate and Hourglass Estate. As we noted previously, 2012 is the winery’s first vintage with Tony Biagi (ex of CADE and Plumpjack) as full-time winemaker. (Bob Foley was the prior winemaker here.)

The winery’s trademark Cabernets weren’t ready for tasting in our prior meeting. But now they are — including a first look at HGIII, Hourglass’s new second label wine that’s composed of “odds and ends” from around the winery.

2012 Hourglass HGIII Red Wine – A non-estate blend of merlot, cab, and malbec. Initially quite dusty and restrained, some time in the glass helps elevate the subject matter. Lightly peppery on the nose, HGIII reveals notes of chocolate, cedar chest, and dense blackberry. The body is chewy, offering a blend of jam and chocolate sauce, finishing with some lightly astringent tobacco leaf character. Fine for a second label, but nothing shocking. (Aka HG III.) B+ / $50

2012 Hourglass Blueline Estate Cabernet Sauvignon – 91% cabernet, 9% petit verdot from the Blueline Estate Vineyard. Dark as night. The nose is exotic and instantly different than your typical cab, offering intense violets and baking spice. There’s plenty of this to go around on the blueberry-focused palate, with a flinty character emerging late on the finish. Soothing and lush without becoming overly fruited, it also offers nice mineral notes as a companion. A / $125

2012 Hourglass Estate Cabernet Sauvignon – 100% cab from the Hourglass Estate Vineyard, this is a classic, opulent, and beautiful wine that somehow manages to avoid the huge, fruit bombiness of the typical Napa cabernet. Light mint chocolate notes on the nose lead you to a lush body that’s ripe with blackberry, juicy currants, and stone fruit. More mint, fresh tobacco leaf, and lightly sweet vanilla emerge on the adroitly balanced and almost elegant finish, giving this a great complexity but also an easy, gorgeous drinkability. Collectors looking for a massive tannin structure may balk, but those who want to drink beautiful cabs today need look no further. A+ / $165

Review: The Balvenie 25 Years Old Single Barrel and Tun 1509, Batch 1 Single Malt

The-Balvenie-Tun-1509 batch 1

Lucky day: Not one, but two new bottlings from a perennial favorite: The Balvenie. Actually, the distillery has recently released three different whiskies, the third being The Balvenie Fifty, Cask 4567, a 50 year old expression that runs $38,000 a bottle.

We did not manage to nab a bottle of this lattermost one, but no matter: We did sample the other two, a new 25 year old single barrel release and a new sibling in the Balvenie Tun series, Tun 1509, Batch 1.

Let’s discuss each in turn.

First, The Balvenie is adding a new single barrel edition to its regular release range, a 25 year old single barrel expression that joins the 12 year and 15 year single barrel expressions that have launched in recent years. This new 25 year old expression spends its life entirely in traditional American ex-bourbon casks, a departure from the sherry cask barrels used for the 15 year single barrel bottling. Again, this is an ongoing release, and while stocks will be limited, it will remain available for the foreseeable future.

Second, The Balvenie Tun 1509 is the sequel and successor to the impressive Tun 1401 series, which composed a set of nine different batches of whiskies that were blended up in small quantities, about 2000 liters per batch, and released in very limited amounts over the last few years. We reviewed several of the Tun 1401 series (see Batches 3, 6, and 9) — only a few of the nine ever made it to the U.S. — but all were gone much too soon. Now, Tun 1401 has been retired, and Tun 1509 is in. This mixing vessel can hold 8000 liters, which means the whisky blended up in it may be less “rare,” but it will at least be easier to find.

Thoughts on both of these whiskies follow.

The Balvenie 25 Years Old Traditional Oak Single Barrel – Shockingly light in color, this hardly looks like it’s been in barrel for a year, much less 25. The actual presentation on the tongue and nostrils, however, is quite the opposite. Seductive notes of caramel and some citrus notes are well-integrated on the nose, making it candylike without being cloying. The body takes this and runs with it, firing on all cylinders. The caramel notes turn toward dark chocolate sauce, the fruitiness toward essence of orange flowers, caramel apples, honey, and some spice — cinnamon, allspice, and a bit of brown sugar. Throughout, Balvenie 25 keeps things light and lively, a whisky that’s lithe and light on its feet, a treat that combines the pleasures of a well-aged senior statesman with the gentler body of a fresher, younger spirit. If it weren’t so gorgeous I’d call it a simple pleasure. 95.6 proof. A / $599

The Balvenie Tun 1509, Batch 1 Single Malt – Batch #1 of Tun 1509 is made from whisky aged in ex-bourbon barrels (35 casks) and sherry butts (7 casks), for a total of 42 casks worth of single malt commingling in Tun 1509. The results are powerful compared to the quieter 25 year old single barrel, evident from the start by looking at the deep amber color of the whisky. The nose is exotic and rich, offering punchy notes of well-burnt sugar, coffee, dried figs and raisins, and a touch of coal fire smoke. The body then takes all of these components and promptly kicks them right in the ass. Dried fruit takes a spicy, Christmas-like turn toward the baking pantry, with notes of cloves and cinnamon dominating. There’s more red fruit on the palate — think plums — along with notes of blood orange and tangerine. Some malt is here, but the cereal character is warm and inviting, like a well-doctored bowl of oatmeal on a cold day. This whisky drinks embarrassingly easy despite topping 94 proof, taking its burly, rounded body and just having its way with your palate from start to finish. Speaking of the finish — it’s long, warming, and, as it vanishes, it leaves you begging for more. One of Balvenie’s best whiskies ever. 94.2 proof. A+ / $350

Review: Casa Noble Tequila, 2014 Re-Review

casa noble Bottle_Anejo_2014_final_cut

From time to time we like to revisit spirits we’ve spent time with in the past. Management changes. Production practices change. Formulations change. Climate changes. And stuff varies from bottle to bottle even when none of the above changes. Sometimes our reviews are identical. Sometimes they’re wildly different.

Today we look again at Casa Noble, a venerable ultra-premium tequila line that we last reviewed in 2009. Very little seems to have changed on Casa Noble’s end, and from my perspective, very little has changed too. My ratings are all the same, with one slight (yet watershed) upgrade for the masterful anejo.

You’ll note some slight packaging changes (the reposado bottle is no longer blue but is now clear; the anejo is still in its distinctive purple bottle), but otherwise I expect nothing much has been altered behind the scenes of these three tequilas. (Amazingly, prices seem to have fallen a bit in the last few years!) All are of course 100% agave and all are 80 proof.

New thoughts follow.

Casa Noble Crystal (Blanco) – Pungent on the nose, with deep, deep agave notes, white pepper, and cayenne. The body isn’t nearly the agave bomb you might be expecting. It is both sweet and peppery, but not really vegetal at all. Instead you’ll find notes of tart lemon juice, caramel sauce, and a touch of rhubarb. Very well crafted. Everything a blanco should be. A / $35

Casa Noble Reposado – Spends 364 days in French white oak, making this a very well-aged reposado. The nose has that trademark peppery pungency of the blanco, but with an undercurrent of stone fruit — peaches and apricots — to give it some balance. The body is very fruity, slight tropical notes atop lemon and oranges, plus notes of chocolate peppermints and ample wood-driven vanilla. It doesn’t drink nearly as leathery and “old” as my prior comments indicated, but perhaps that’s just my increased experience with tequila over the last five years talking. Still delightful, either way. A / $45

Casa Noble Anejo – Aged “to perfection” for two years in French white oak. Nicely dark, but not overdone. That peppery agave is still front and center on the nose, with more of a caramel/marshmallow character attempting to overtake it. The body shows that it’s a silky dessert sipper all the way. The palate starts with bittersweet chocolate and graham crackers, then hops to burnt caramel and dark brown sugar notes. The fruit is absent save for a little flamed orange peel, which plays nice with the molten chocolate cake character that bubbles on and on on the finish. A benchmark anejo that mixes a racy attack with a silky sweet finish. A+ / $50  [BUY THEM NOW FROM CASKERS]

Tasting the Wines of Emiliana’s Coyam

Chile’s Emiliana produces wines under a number of labels, but few are as popular as Coyam, an organic and biodynamic wine that’s blended from up to six indigenous grapes.

The neat thing about Coyam is that the blend varies — sometimes wildly — from year to year, and resident winemaker Noelia Orts recently traveled to San Francisco to explain how the wine was made and, intriguingly, to showcase the six component varietal wines in their primitive, barrel-sample form. The idea: Taste how these very different wines, when sampled separately, combine to form a unique whole.

Tasting the 2013 barrel samples was eye-opening. The syrah was far from finished, dense and undercooked, while the carmenere offered good acidity. I was most taken by the mourvedre, which had impressive balance and fruit already. While we didn’t get to start blending the wines directly — what a mess that would have been at a restaurant — the experience did aid in the understanding of how complicated blends are made.

Over lunch at San Francisco’s Hakkasan, we turned to tasting the finished wines, a range of vintages dating back to 2001. (Also sampled in brief was Emiliana’s Ge, one of the most prized “cult” wines of Chile.) Thoughts on those finished wines follow.

2001 Coyam – 36% merlot, 21% carmenere, 21% cabernet sauvignon, 18% syrah, 4% mourvedre. Aging but still lively, lots of wood, quite tannic on the finish. B+ / $NA

2007 Coyam – 38% syrah, 21% cabernet sauvignon, 21% carmenere, 17% merlot, 2% petit verdot, 1% mourvedre. A big Chilean vintage, some floral elements, with a bit of licorice on the back end. Complex, somewhat Burgundian in style, with a nutty finish. B+ / $45

2009 Coyam – 41% syrah, 29% carmenere, 20% merlot, 7% cabernet sauvignon, 2% mourvedre, 1% petit verdot. Fresh, some mint, with big berry notes and a rush of wood. Slightly huskier than the 2010. A- / $30

2010 Coyam – 38% syrah, 27% carmenere, 21% merlot, 12% cabernet sauvignon, 1% mourvedre, 1% petit verdot. Some jam, growing in balance as it evolves. Fresh fruit, with blackberry and spice. A- / $30

2012 Coyam (barrel sample) – 46% syrah, 21% carmenere, 16% cabernet sauvignon, 5% mourvedre, 2% mablec. Quite a different recipe, with no merlot. A bit muddy as it develops, somewhat pruny, with leather notes. B- / $TBD

2010 Ge – 48% carmenere, 38% syrah, 14% cabernet sauvignon. Revelatory. Chocolate, licorice, and incredible depth, featuring touches of almonds and cinnamon. I could drink this all day. A+ / $75

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