Category Archives: Reviews

Review: Samuel Adams Boston Lager plus Winter/Spring Seasonals

samadams-bostonlager--en--c2e3a813-e407-463c-bc95-efd9e8fda221The Boston Beer Company produces over 100 varieties of beer, but the biggest of them all is Samuel Adams Boston Lager. Oddly, we’ve never reviewed it, but today we’re taking that opportunity, along with a look at three winter/spring seasonals now on the market. Thoughts follow.

Samuel Adams Boston Lager – The original (though surely it has changed considerably over the years as Sam Adams has grown). Technically a Vienna-style lager (along with many darker Mexican beers), this brew is malty and lightly hopped, making for a nicely balanced, yet slightly chewy brew. Bready with almost pretzel-like overtones, its long and savory yet quite simple finish makes it is surprisingly hard not to like. 4.9% abv. A-

Samuel Adams Winter Lager – This winter wheat bock is spiced with cinnamon, ginger, and orange peel, making for an appropriately festive winter brew that is nonetheless a touch overspiced. The cinnamon notes are a bit drying, the orange peel a bit too bitter. Lots of bready cereal character rumbles along on the finish, washing away much of the spice. Enjoyable enough in small doses, but not a favorite. 5.6% abv. B-

Samuel Adams Cold Snap – A spiced white ale (witbier) studded with orange peel, plum, and coriander. Jarring and heavily perfumed at the start, that strange, plum-driven sweetness keeps growing, compounding itself with the herbal character to reveal a flower petal character with a citrusy finish. Not a huge fan of this one. 5.3% abv. C-

Samuel Adams White Christmas – Another witbier, spiced with cinnamon, nutmeg, and orange peel. More straightforwardly Christmasy than Cold Snap, White Christmas is easier-drinking, more full-bodied, and simply more enjoyable from start to finish. The citrus peel is understated and makes for a pleasant natural companion to the wheaty body, the baking spices just a mild dusting of sweetness that leaves behind a pleasant, frosty finish. 5.8% abv. B+

samueladams.com

Review: Jim Beam Bonded Bourbon

JB750_84Here’s a new release that really came out of the blue. Bonded whiskey was a big deal before Prohibition — when heavy tampering with spirits was a major problem — but it is rarely seen these days because of the cost involved and, surely, limited demand. (Rittenhouse 100 is one good example that’s still around.)

Bonded whiskey must be produced in accordance with strict Federal law and under official Federal oversight, so consumers could be sure of what they were getting: Bonded whiskey has to be 100 proof, spend at least four years in barrel, and be produced from a single season at a single distillery. Bonded, or “bottled-in-bond,” whiskey has to be stored at a Federally monitored warehouse, where it is essentially kept under lock and key for those four-plus years. For a bonded whiskey to be a bonded bourbon, it also has to meet all the standard requirements for bourbon, too (at least 51% corn, barreled in newly charred oak, and so on).

And so we get to Beam’s new Bonded Bourbon. The company has a bonded product, but it seems to be sold only in a few duty-free markets. This is a new, four-year-old expression destined for the U.S. this February. (This expression also has no age statement.)

On first whiff, it’s just like the whiskey dad used to drink. Sharp and woody, it’s austere, with a frontier-style nose. As the body unfolds, intense butterscotch and deep vanilla notes emerge, on top of notes of charry burnt marshmallow and thick wood oils. The finish coaxes out some bitterness in the form of rich pipe tobacco, possibly even cigars. Sweet and almost syrupy at the start, the hefty level of alcohol makes for an interesting juxtaposition on the back end.

Fun, old-timey stuff.

100 proof.

A- / $23 / jimbeam.com

Review: 2013 Jackson Estate “Stich” Sauvignon Blanc Marlborough

JE SB 13 StichJackson’s New Zealand-born Sauvignon Blanc, named in recognition of John Stichbury, the founder of Jackson Estate, is a restrained expression of how this grape typically fares down south. Loaded with peach and pineapple notes, it manages to keep the sweetness at bay by offering some nice herbal notes, a bit of baking spice, and a finish that offers a touch of tart apple.

A- / $22 / jacksonestate.co.nz

Review: The Exclusive Malts Batch #6 – Ledaig 1997, Speyside Port Matured 2004

Ledaig

New indie Scotch bottlings are hitting now from The Exclusive Malts, we got two to try. Thoughts follow.

The Exclusive Malts Ledaig 1997 17 Years Old – Batch #5 featured a youthful 8 year old Ledaig (which is made at Tobermory on the Isle of Mull). This one’s over twice as old. Surprisingly pale for a whisky of this age, this Ledaig features soft peat notes that are laced into notes of crisp apple cider, fresh cereal, and barbecued meats. Well structured but with a featherweight body, the finish is seductive but not entirely lasting. I had expected more grip and power from a peated whisky of this age. 109.8 proof. B+ / $150

SpeysideThe Exclusive Malts Speyside Port Barrel Matured 2004 10 Years Old – Much like Batch #5’s Speyside bottling, this is also a mystery Speyside malt, sourced from a distillery “near Aberlour.” This 10 year old expression is matured in Port casks, making it an unusual offering in single malt world. Glorious from the start, if offers a nose of intense raisin, cloves, and gingerbread. The body punches those notes up even further, with gentle touches of cereal on the back end. God, look at that color! The Port has done an impressive job on this whisky, tempering the granary character and giving it a festive, holiday-like exuberance. Too bad it’s January. 115.4 proof. A / $110

impexbev.com

Book Review: Proof: The Science of Booze

proof boozeWired editor Adam Rogers is an acquaintance and a colleague (he was my wingman at the HP50 tasting a few weeks back), so it’s not totally fair for me to rave about his new book, Proof: The Science of Booze. I will anyway. If, like myself, you’re as interested in the chemistry and biology of beer, wine, and spirits as you are the way they taste, this book’s for you.

Rogers’ tome is part a historical work that discusses the origins of booze, part newsy analysis of how far science is pushing the industry we know and love so much in these parts. Proof is split up into a small number of logical, topically-centered chapters — sugar, distillation, hangovers, and so on — each a breezy journey to the past and back to the present. Rogers will take you back to the discovery of yeast — and then to a lab that is experimenting with how different yeast strains impact the taste of beer that is fermented with them.

It’s easy to get lost in some pretty obtuse weeds in science journalism, but Rogers is canny enough to keep things easily readable for a layperson (his impromptu “hangover cure” experiment is appropriately hysterical) while ensuring the book is rigorous enough for the experts. Well done.

A / $16 / [BUY IT HERE]

Review: Boathouse Distillery Colorado Bourbon Whiskey

boathouse bourbon

Boathouse Distillery is based in Salida, Colorado, from which Colorado Bourbon hails. The back label copy of this whiskey alone is worth the price of admission: “Colorado Bourbon is especially formulated for Western women and men. We like adventure and the great outdoors.”

And that’s it!

Colorado Bourbon is sourced whiskey from whereabouts unknown, aged four years. As Boathouse proudly proclaims, “Our craft is in the finishing of spirits.”

Whatever they’re doing, it seems to be working pretty well. Boathouse is slightly smoky, slightly sweet, with a nose that offers curious notes not of the expected vanilla and wood staves but rather of match heads, beef vegetable stew, and celery salt. I mean all of that positively, offering intensely savory possibilities.

The body offers a nice combination of smoke and baking spice, some butterscotch, and lingering notes of roasted meats. Touches of red pepper and pencil shavings come along on the finish. Ultimately it’s hard to put your finger on it exactly. Boathouse rolls round and round, mingling a surface-level frontier character with a surprising sophistication and complexity deep down. At this price, it’s undoubtedly worth exploring.

80 proof.

A- / $35 / boathousedistillery.com

Review: Oban Little Bay and Oban 14 Years Old

Oban Little Bay

Next up in the NASverse is Oban, which is releasing its mew Little Bay expression just in time for Burns Day (January 25).

This isn’t just another random collection of mysterious whiskies. Much like Laphroaig Quarter Cask, Little Bay is aged in part in smaller casks, giving it a distinct character.

Says the company: “Crafted by selecting small batches of our finest single malt whiskies, and marrying the whiskies in our smallest casks to allow more contact with the wood, Oban Little Bay delivers the signature rich, smooth Oban expression with its rich, fruity style but with a more pronounced maritime and citrus character.”

Based in the Western Highlands, Oban (pronounced OH-bun, with the stress on the “OH,” not OH-BANN), creates a distinct style of malt whisky that is one of the standbys of the whisky world. How does Little Bay compare to the ubiquitous Oban 14? We put them head to head…

Oban Little Bay – Immediately, it seems on the thin side. The nose is restrained, offering more citrus and sweetness, but less smoke. The body is quite malty, but the chewiness comes at the expense of a lot of that fruity character. What remains is a sense of oatmeal character, some light cinnamon notes, and a touch of lemon peel that grows on the finish. None of this seems particularly enlightening, almost like the standby Oban 14 has been muzzled a bit, then bottled as a special edition. It isn’t bad. It’s just… curious. 86 proof. B+ / $75

Oban 14-Year-Old… and for comparison’s sake…

Oban 14 Years Old – A classic. Lightly smoky, it offers tons of big, roasted grains up front, layered atop notes of toasted marshmallow and a hint of citrus. Oban is so easygoing it’s easy to guzzle by the glassful thanks to its big, rounded body, but if you did so you’d miss those wisps of incense, tropical guava, and just a touch of seaweed on the back end. Deserving of its reputation as one of the standbys of the whisky world. 86 proof. A- / $60

malts.com

Review: Guinness The 1759 Limited Edition Amber Ale

guinness 1759This limited edition Signature Series bottling from Guinness is an American Strong Ale brewed with both standard beer malts and peated whisky malts, making for a decidedly curious and intriguing beer.

Thick and malty from the start, The 1759 (named in honor of Guinness’s founding) kicks off with a woody, slightly maple-syrupy nose. I catch hints of rhubarb, licorice root, and amari. On the tongue, it’s a dense and richly syrupy beer, but surprisingly lively and flavorful. Big molasses notes tend to overpower things, but the Port-like notes bring with them hints of whisky, chimney smoke, and coffee beans. The long, semi-sweet finish recalls the licorice on the nose and adds in some chocolate.

On the whole: It’s quite a complicated monster, fitting of a “special occasion” beer, with an uncanny similarity to the barrel-aged craft brews that are becoming so common these days.

9% abv. 90,000 bottles made (and “never to be brewed again!”).

B+ / $43 (25.4 oz bottle) / guinness.com

Review: 2012 Faust Cabernet Sauvignon Napa Valley

Faust-bottle-shotnovintageWhen I first tasted Faust’s 2012 Cabernet I thought it might be off — densely tannic with vegetal flavors that were massively overwhelming at first attack. I corked the wine up and put it away for a day, hoping things would settle down. Fortunately, they did, revealing a wine that’s a burly as all get-out, but which has a charm of its own deep down. Even with air and time, you’ll need to push past a significant amount of dense leather and tar to reach some fruit — juicy currants and some blueberries — plus hints of fresh rosemary, spearmint, and cocoa powder. This is a challenging but ultimately rewarding wine — provided you have a couple of days to crack its code.

B+ / $40 / faustwine.com

Book Review: The 12 Bottle Bar

The 12 Bottle Bar is founded on a great idea: Build a home bar not by amassing hundreds of obscurities like Chartreuse and Punt e Mes (guilty!), but rather by focusing on the bare essentials. With just 12BottleBar_CVR_MechOut 03.indd12 bottles, authors David and Lesley Jacobs Solmonson say you can make hundreds of cocktails without breaking the bank or having to devote a spare room to your hooch (also guilty!).

I won’t belabor the mystery. Here are the 12 bottles:

brandy
dry gin
genever
amber rum
white rum
rye whiskey
vodka
orange liqueur
dry vermouth
sweet vermouth
aromatic bitters
orange bitters

OK. So, yes, that’s one way to do it. That’s a fine first draft. But… two kinds of rum? Genever? Humbly, I submit my own curated list of 12 most essential bottles:

brandy
dry gin
amber rum
rye whiskey
vodka
orange liqueur
sweet vermouth
aromatic bitters
reposado tequila
bourbon
absinthe
maraschino liqueur

Now that’s a starter bar. And arguably you could replace the rye with a single malt scotch, letting a good, rye-heavy bourbon sub in for straight rye in any number of cocktails. I don’t think you need two kinds of rum; just use amber and live with darker (and more flavorful) Daiquiris and Mojitos. Absinthe may not sound like a big deal, but it does open up the Sazerac and Death in the Afternoon, and works wonders as a rinse in any number of avant garde concoctions. Even the book notes that the lack of tequila in their list is a tough one, but life with Margaritas may not be worth living. Maraschino — in lieu of seldomly used orange bitters and basically-used-in-martinis-only dry vermouth — is, I think, one of my little linchpins here. Try it with rum or in a Manhattan.

But I digress.

Let’s look at The 12 Bottle Bar on its merits, not my own conjecture and my own wild bar ideas.

This is a really thick tome — 412 pages — for a book that is about making do with less. That’s a testament to how far 12 bottles will get you… but bear in mind you will still need fruits, juices, syrups, sodas, mint, cream, eggs, and more to make nearly anything in the book. With few exceptions, you can’t make any of the cocktails in the book with just these bottles. The Mai Tai, for example, has 6 ingredients, only 2 of which are in the above list. The curious Green Snapper has 7, but you’ll need to source 6 on your own time.

What emerges after spending time with the book is not instructions on getting by with a small bar, but rather a primer on using a handful of base spirits in numerous classic and avant garde cocktails. There’s plenty here to choose from, including some delightful-sounding concoctions, but the little black-and-white icons don’t do much to cue you in to what the final product is going to be like. Every cocktail has a story attached — typically far longer than the recipe itself. Given that design, I would have put each cocktail on its own page (the typical length of a recipe, anyway) instead of running free form, which makes the book much harder to scan.

So, fun idea, but the second edition could use a little better presentation. If anyone out there ever makes a genever cocktail at home, do let me know.

B / $10 / [BUY IT HERE]